These strange images fill the space entirely and evenly across all surfaces in the same disorienting way that a disco ball’s dancing light causes the whole room to spin. AWARE’s fragmented projection suggests a constellation of suspended memory, ultimately disrupting the gallery’s own physical structure.
The labyrinth of architecture comprising the neighborhood contained intimate alcoves of acrylic paintings on display salon style and sculptures made of natural materials like metal and wood. Many of these sculptures were meant to personify lwas, “spirits,” in the form of repurposed electronic devices and found objects from the surrounding industrial areas.
The radiant fuchsias and pale pinks of Drum Talking feels like some kind of carved out corporeal space, while the loosely stretched canvas acts as a skin, leaving an imprint of the physical support under the weight of You-Ni’s hand. It begins to feel as though it could be a direct impression of the body, but it is only an index so far as it is evidence of the hand over time.