All of Lane’s pieces are formed through their practice with latex. Globular, dripping, and draping, the pieces function both as referents to the human form and sculptural abstractions. Lane shapes this playful indeterminacy to highlight the fragility and grotesqueness of existing with/in a body; wherein people both shape themselves and are shaped by outside forces.
Using this descriptive catchall implies that gender collectively reads as a quantifier; a female abstract painter differs from an abstract painter as a girl band differs from a band. Girlband’s artists set out to question this collective label because, unexamined, this proposition is reductive and solipsistic.