Reviews Sarah Davachi, “La brume jaune” at Rockefeller Memorial Chapel Jill Danto October 25, 2019 University of ChicagoSarah Davachi While the French horns oscillate between active notes and silence, Davachi continues to carry the continuous flow of the piece—similar to the painted background of stratified strokes.
Reviews Letter to the reader: A Yolk, Suspended Manisha Anil Rita August 24, 2019 AnnasAzalea HendersonCaroline DahlbergMaggie WongMariel Harari With this dinner, I wondered whether inviting an audience member to perform with the artist divides discomfort equally between those present.
Reviews Juan Molina Hernández, “autoretrato o piel vieja y lo que sobra de una manda cumplida” at Roman Susan Annette LePique August 3, 2019 Roman SusanJuan Molina Hernández Conceiving of space where roots can grow, the consequences of transplanting roots, roots as both memory and memorial echo throughout the space, the exhibition’s beating bloom of a heart.
Reviews Nelly Agassi “Spirit of the Waves” at the Graham Foundation Shir Ende June 30, 2019 Graham FoundationNelly Agassi Agassi has allowed the presence of the past to overtake the room while lightly addressing the lavish lifestyle of its original residents.
Reviews Liz Magor “Blowout” at The Renaissance Society Annette LePique June 12, 2019 The Renaissance SocietyLiz Magor It is this pinprick of tension that draws out an audience’s emotional response. Magor’s alteration of items like thrift store shoes, blankets, fabric, and stuffed animals, edge their material disposability and anonymity into a state of alterity.
Editorials On Art and Art Writing in Chicago Brit Barton & Dan Gunn May 29, 2019 Furthermore, a publication that solely discusses artist-run spaces isolates them discursively and limits the scope of their potential influence.
Reviews Robert Walton “Exhuming Johnny” at the Chicago Cultural Center Manisha Anil Rita May 19, 2019 Chicago Cultural CenterRobert Walton The narrative is most compelling when each of the cast members shares a memory or message they would leave for people in their lives from the past. Their bodies are active and hypnotizing in the sequences of traveling back in time as they alternate and repeat their parts.
Reviews Lia Kohl and Katinka Kleijn, “Water On The Bridge” at the Eckhart Park Pool Iris Bernblum May 12, 2019 Chicago Park DistrictKatinka KleijnLia Kohl They gather the instruments, struggling to wrap their bodies around them, use them as floating devices. More often than not the cellos do not cooperate.
